The release of The Midnight Front, the first book in my new Dark Arts series from Tor Books, is still a few months away, but the folks at Kirkus Reviews have already weighed in with the first early trade review of my new opus.
“Mack’s novel is … propulsive, with well-crafted characters and cinematic set pieces culled from the war’s most momentous crossroads. Equal parts brimstone and gunpowder, the book deftly mixes the tropes of high fantasy into a semirealistic portrayal of WWII…”
“A complex, entertaining fantasy that sets loose a ‘chosen one’ hero arc among the dogs of war.”
Not too shabby!
The Midnight Front will be released on January 30, 2018, in hardcover, trade paperback, eBook, and digital audio formats. You can pre-order a copy in the format of your choice from your favorite retailer now.
Over the last few weeks I’ve granted a number of interviews concerning the writing process and inspirations behind my Star Trek: Discovery novel Desperate Hours. In case you’ve missed my myriad social media posts about each one, here’s a quick roundup of all of them to date (though more are soon forthcoming):
October 8, 2017:Literary Treks (Audio)
Topics: writing Star Trek: Discovery novel Desperate Hours
October 2, 2017:TrekLand (Video)
Topics: writing Star Trek: Discovery novel Desperate Hours
September 28, 2017: TrekCore Topics: writing Star Trek: Discovery novel Desperate Hours
After a very long process of development, writing, and editing, I am thrilled to announce that publication day has at long last arrived for my new novel, Star Trek: Discovery – Desperate Hours.
The first reviews are in, and they are laudatory, indeed. Dénes House at TrekMovie.comhad this to say about the book:
“Mack has crafted an absolutely thrilling novel that had me turning the pages furiously to find out what happened next … .”
“I was stunned at the amount of insight the novel gives into the characters of Captain Georgiou, Michael Burnham, and Lieutenant Saru, but also by the excellent treatment of some old Trek favorites, as well. … It’s a great sci-fi book in general, and an outstanding Trek novel in particular. Well worth the purchase for any fan of the franchise.”
“…exciting and emotionally resonant…”
“I give this book my highest recommendation.”
Not too shabby, eh?
The book is available now in trade paperback, eBook, and digital audiobook formats. It’s also available today in a German translated edition from the fine folks at Cross Cult Romane.
Grab your copy today, and be sure to order a few extras — it makes a lovely gift for the Star Trek fan in your life!
Two weeks ago, I showed off the cover for my upcoming Star Trek Titan novel Fortune of War. I felt pretty good about it at the time.
And then eagle-eyed fans started to notice that there was something … *off* about the cover.
We had featured the wrong type of starship on the cover. Instead of the Luna-class USS Titan, we had used an Akira-class starship.
The two classes of ship have many similarities. But they are far from interchangeable.
Both Luna– and Akira-class ships have the same style of warp nacelles extended downward and set at angles to their pylons. Both have structures connecting their saucer sections and secondary hulls. But the similarities end there.
The structures on the undersides of the two ships are very different. The Luna class, designed by Sean Tourangeau, is much larger.
Also, on its dorsal (upper) hull, the Luna class has a superstructure inspired by those of the Miranda-class and Nebula-class starships.
Once the error on the cover was pointed out to us, everyone involved felt embarrassed. All of us — art director, editor, author, licensing team — felt that we should’ve caught the mistake before it reached the public.
We then scrambled to fix it before we missed the printer’s deadline. We weren’t going to just shrug and print a cover we knew was wrong.
Fortunately, VFX artist Darth Mojo (aka Adam Lebowitz) came to our rescue. In record time he made a new-and-improved cover, this time with the right starship.
How did all this happen? We’re not sure. What matters is not how it went wrong, but how quickly the team pulled together to make it right.
If you’ve been waiting for the cover reveal of my upcoming Star Trek Titan novel Fortune of War, here it is! (Updated on September 16, 2017, with the corrected cover.)
The novel comes out in mass market paperback and eBook on Tuesday, November 28, 2017. You can pre-order your copy now directly from the publisher or from your favorite retailer, using the links on my site’s page forFortune of War.
Need more info? Here’s the book’s back-cover copy:
Death slumbers in the ashes of silent planets,
waiting to be awakened and unleashed….
Twenty years have passed since the interstellar scourge known as the Husnock were exterminated without warning by a being with godlike abilities. Left behind, intact but abandoned, their desolate worlds and derelict ships brim with destructive potential.
Now a discovery by a Federation cultural-research team has drawn the attention of several ruthless factions. From black-market smugglers to alien military forces, it seems every belligerent power in the quadrant hopes to capture the Husnock’s lethal technology.
All that stands between the galaxy and those who have come to plunder the cruelest secrets of the Husnock are Admiral William Riker, Captain Christine Vale, and the crew of the Starship Titan.
FORTUNE OF WAR
A VOYAGE OF THE STARSHIP TITAN
BY NEW YORK TIMES
BESTSELLING AUTHOR DAVID MACK
If you’re a fan of Will Riker and the valiant crew of the Starship Titan, this is one adventure you won’t want to miss!
When you like certain authors’ work, there are three key things you should do to support them: Pre-order their books, postonline reviews, and promote them throughword-of-mouth.
Word-of-mouth praise for authors’ work is the greatest gift readers can bestow. Reviews rarely lead to sales. Praise often does.
Online reviews of books are vital to authors. It takes 25+ reviews to trigger beneficial effects from most retail sites’ algorithms. The most important thing to remember when leaving reviews of a work you’ve read is to be truthful, thorough, and fair.
That brings me to pre-orders. Online pre-orders are critical to the success of many books. I know some fans resist them. Don’t.
Waiting for a series to finish before you decide to buy it is a good way to guarantee that your favorite authors will get pushed off the shelves. It serves to kill new series before they get started.
Publishers and retailers use online pre-orders to gauge public interest in new books. This determines how they treat those books. Strong pre-orders for a book can inspire a retailer to increase its print order. It can propel a book onto bestseller lists.
When a publisher sees that a book has garnered strong support from pre-orders, it might invest more in its marketing.
Pre-orders help readers, too. Many online retailers guarantee pre-order prices, so you can lock in the best price.
So, if you love books, or like the work of a certain author, be sure to pre-order their books. It matters quite a bit.
FYI, The Midnight Front, Book 1 of my Dark Arts series coming January 30, 2018, from Tor Books, is currently available for pre-order in the format of your choice—hardcover, paperback, eBook, or digital audio. I’m just sayin’.
Also, if you’re an author who has a new book coming out in the next five to six months, and if that work is now available for pre-order in at least one format, please feel free to post links to your pre-order pages in the comments below!
Last week I attended for the first time the GenCon Writers’ Symposium, which runs as auxiliary programming at the world-famous GenCon gaming convention. Now that I’ve had a couple of days at home to catch up on emails, bills, and life in general, I’m excited to share my post-convention thoughts.
First, I apologize for the general lack of photos. I was kept pretty busy at GCWS, and most of the time I was having so much fun that taking photos rarely occurred to me. That said, I will remark that I found downtown Indianapolis to be quite a lovely place:
For those not familiar with GCWS, it is a comprehensive program of panels, workshops, and seminars designed to offer something of value to everyone from novice writers, authors of moderate experience, and even grizzled literary veterans. There are tracks of programming devoted to the writer’s craft, the writer’s lifestyle, the business of writing, and much more. Its participants include authors, editors, and agents, and its team of dedicated moderators are truly exceptional at their jobs.
Without exception, I found the symposium’s roughly 2,300 attendees to be knowledgeable in their questions, keenly engaged with the subject matter, and serious about improving their craft. I was also pleasantly surprised at how many attendees were not only familiar with but were genuine fans of my work, both for and outside of Star Trek. They were also very receptive to the pitch for my upcoming original novel The Midnight Front—we gave away 72 advance reader copies of the book at the show.
It also didn’t suck that my fan traffic remained steady even while I was signing beside fantasy publishing titans Brandon Sanderson, Mary Robinette Kowal, and Charlaine Harris.
The Symposium’s sponsors, WorldBuilders and Archivos, were generous enough to underwrite a welcome meal at The Old Spaghetti Factory (Archivos) and snacks at the authors’ Saturday-evening hangout in The Rock Bottom Brewery (WorldBuilders). I’m also grateful to the convention’s bookseller, Half Price Books, who took a chance on stocking three of my Star Trek titles (of which we sold nearly every copy they brought, in part thanks to some hard-core hand-selling I did from their table on Saturday afternoon).
The people whose labor made all of this possible were the Symposium’s volunteers, and most importantly its director, Marc Tassin, who after this year will be moving on to new challenges and placing the Symposium into the very capable hands of new co-directors Kelly Swails and Melanie Meadors.
As for my personal experience? I was most blown away by how many wonderful new friends I met among the other Symposium participants. It was a genuine pleasure getting to meet and/or know folks like Monica Valentinelli, Elizabeth Vaughn, Kelly Swails, Jerry Gordon, Raj Khanna, Susan Morris, Dave Robison of Archivos, Anton Strout, Steve Drew, John Helfers, Beth Cato, and Maxwell Alexander Drake.
I also had the pleasure of spending quality time with such friends as Ilana C. Myer, Aaron Rosenberg, Marco Palmieri, Matt Forbeck, and Gregory Wilson.
As much as I could gush about the Symposium’s programming and events, ultimately what I loved best about GCWS was the people I met. There was just a wonderful vibe to this event. I felt the eagerness of the attendees to learn, and the willingness of the participants to share all that they could. For years I’ve heard great things about GCWS from Aaron Rosenberg and Marco Palmieri; I’m glad I finally heeded their advice and committed to this event.
This was one of the most enjoyable and emotionally rewarding convention experiences I’ve ever had, and I hope that the fine folks at GCWS will want to invite me back for many more Symposiums in the years to come.